Brian Jones called Their Satanic Majesties Request “very personal.” Here’s what he said about The Rolling Stones’ strangest 1967 album.
Brian Jones on The Rolling Stones’ ‘Satanic Majesties’ Album: “Very Personal” (1967)
The Rolling Stones Through David Bailey’s Lens
David Bailey didn’t just photograph the Rolling Stones—he helped shape how the world saw them, from early album covers to his unusually close connection with Mick Jagger.
The Rolling Stones’ ‘Aftermath’: The Unreleased 1965 Jam That Almost Got Away
The Rolling Stones’ 1965 instrumental ‘Aftermath’ nearly escaped the vaults—and an acetate was actually made for the mysterious Necrophilia compilation.
‘Where the Boys Go’ de los Rolling Stones: La canción punk que dejaron atrás (1980)
Grabada durante las sesiones de Some Girls pero descartada del álbum, ‘Where the Boys Go’ muestra a The Rolling Stones coqueteando con el punk, el pub rock y un Mick Jagger especialmente descarado.
The Rolling Stones and ‘Baby, What’s Wrong’: The Early Jimmy Reed Cover (1963)
The Rolling Stones tackle Jimmy Reed’s ‘Baby, What’s Wrong’ in a raw 1963 recording that captures the band before the polish—and before the world caught up.
Rolling Stones chronology: October 8
From early British theatres to packed stadiums and a 1972 concert film, October 8 keeps producing unexpected Rolling Stones moments—including Mick Taylor’s surprising side trip.
Mick Jagger: “You’ve Got to Explore Everywhere” (2016)
Mick Jagger had spent decades conquering stages, but in 2016 he offered a different challenge: knowing your roots is no reason to stop exploring.
The Rolling Stones, Brian Jones and Winnie the Pooh
Brian Jones traded rock fame for the whimsical home of Winnie-the-Pooh. Discover why The Rolling Stones’ founder chose this East Sussex estate—and how it became the site of tragedy.
The Rolling Stones’ ‘Love Is a Test’: The Unreleased 2002 Track
‘Love Is a Test’ disappeared into the Rolling Stones’ vaults after the 2002 Forty Licks sessions. Here’s what makes this forgotten track worth discovering.
‘Respectable’ de los Rolling Stones (1978): El punk se encuentra con Chuck Berry
‘Respectable’ muestra a los Rolling Stones burlándose de la alta sociedad, del desafío punk y de su propio nuevo estatus, mientras Mick Jagger se asegura de que nadie los confunda con gente demasiado respetable.
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