‘Ivy League’ is an unreleased Rolling Stones song from the Voodoo Lounge sessions, reflecting the band’s exploratory process as they traveled between studios, capturing a unique, unfinished artistic moment.
‘You Got Away with Murder’, an unreleased Rolling Stones track from 1993, captures Mick Jagger and Keith Richards’ tentative reconnection during the Voodoo Lounge sessions, revealing a moment of creative exploration and untapped possibilities.
‘I’m Gonna Drive’ by The Rolling Stones explores themes of escapism and restlessness, portraying driving as a refuge from life’s turmoil, with a relaxed blues-rock sound enhancing its meditative quality.
The Rolling Stones’ version of ‘We Shall Overcome’ evolves from a rich historical context of resilience and protest, embodying collective hope through its transformation across generations of struggle and activism.
‘Randy Whore’ (version 1) is an unreleased Rolling Stones track from the 1993 Voodoo Lounge sessions, showcasing raw creativity with Keith Richards on vocals, offering a glimpse into their creative process.
The Rolling Stones’ unreleased track ‘Goodbye to Love’, recorded in 1993, reveals their creative process, blending nostalgia with blues influences, and paying homage to early rock and soul roots.
‘Monsoon Ragoon’, an unreleased 1993 Rolling Stones jam, showcases the band’s experimental side and spontaneous energy. Recorded in Ireland, it features rich musical interplay and highlights their creative risk-taking.
The Rolling Stones’ unreleased track ‘Make It Now’, crafted in late 1993, showcases intimate collaborations, featuring Keith Richards’ creativity, subtle acoustic elements, and vibrant participation from fellow musicians during recording sessions in Ireland.
In spring 1993 Mick Jagger and Charlie Watts recorded ‘I’m Fallin’ ‘ at Blue Wave Studios, a soulful, unreleased track from the Voodoo Lounge sessions, showcasing a reflective side of The Rolling Stones.
‘Another CR’ is a nine-minute unreleased jam by The Rolling Stones from the 1993 Voodoo Lounge sessions. Recorded at Ronnie Wood’s house and Windmill Lane Studios, it features an unexpected drum solo by Charlie Watts and a blend of improvisation with pedal steel, electric guitar, and organ, highlighting the band’s creative spontaneity.
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