rolling stones now down home girlCan You Hear the Music?

The Rolling Stones’ Spin on ‘Down Home Girl’ (1965)

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Rolling Stones songs: Down Home Girl

And every time you move like that/ I gotta go to Sunday mass…

Written by: Leiber/Butler
Recorded: RCA Studios, Hollywood, USA, Nov. 2-3 1964
Guest musicians: Jack Nitzsche (piano)
*Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012

*Click for MORE ROLLING STONES SONGS 1962-PRESENT


More about The Rolling Stones’ version of Down Home Girl

rolling stones songs down home girl 1965

The Rolling Stones Find Their Groove with Down Home Girl

Before Down Home Girl ever hit tape, the Rolling Stones had already cracked America with their fiery performance on the Ed Sullivan Show. Riding that momentum, they headed west to RCA Studios in Hollywood. What came out of those sessions wasn’t just another track—it was a glimpse of their relaxed, confident swagger in the studio. The song leans heavy on country blues, giving Mick Jagger the perfect canvas to deliver lyrics about walking through cotton fields with a voice both playful and gritty. At this point, the Stones weren’t wide-eyed rookies anymore.

Their chops had sharpened, their chemistry was undeniable, and Andrew Loog Oldham’s relentless promotion added extra firepower. While the song itself didn’t shatter musical boundaries, it showed exactly where their heart still was—deep in the swampy roots of blues and soul. Add Jack Nitzsche’s rolling piano, and you’ve got a track that oozes character.

Roots, Writers, and the Song’s Journey

The story of Down Home Girl begins with Jerry Leiber and Arthur Butler, both heavyweights in the era’s musical revolution. Leiber, with his partner Mike Stoller, had already shaped the sound of Elvis Presley, the Drifters, and the Coasters. Butler, meanwhile, was carving his legacy both as a songwriter and as a voice alongside Curtis Mayfield in the Impressions. Their creation painted a vivid picture of a “down home” woman from the American South—unpolished yet magnetic, sensual yet earthy. Alvin Robinson gave the song its first soulful spin in 1964, channeling Otis Redding vibes before the Stones picked it up. Keith Richards later recalled how the band stumbled upon it almost by chance at the Brill Building, America’s songwriting headquarters. They walked in hoping to meet Leiber, who brushed them off, but someone else played them Down Home Girl. Just like that, the Stones found their next bluesy gem.

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