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Rolling Stones songs: No Use in Crying
Standing at the station/ Gazing down the track/ There ain’t no train that comes, baby/ I ain’t never, never coming back…
Working title:: Ain’t No Use in Crying Written by: Jagger/Richards/Wood Recorded: EMI Pathé Marconi Studios, Paris, France, June 10-Oct. 19 1979 *Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012
Mick Jagger: vocals Keith Richards: rhythm guitar, backing vocals Bill Wyman: bass Charlie Watts: drums Ron Wood: rhythm guitar, backing vocals Guest musicians: Ian Stewart or Nicky Hopkins (piano and organ)
No Use in Crying is one of the Rolling Stones’ most overlooked emotional statements, a quiet counterpoint to the swagger that often defines their late-1970s output. Released as the B-side to Start Me Upand later included on Tattoo You, the song captures the band in a reflective mood, trading bravado for restraint and raw feeling.
Recorded during a fertile creative stretch in 1979, the track stands out for its understated power and deep blues sensibility. Co-written by Mick Jagger, Keith Richards, and Ron Wood, it channels heartbreak with a directness that feels both intimate and timeless, echoing the emotional honesty at the core of the Stones’ musical roots.
Never performed live, No Use in Crying remains a hidden gem within the Stones’ vast catalog. For listeners willing to look beyond the hits, it offers a rare glimpse into the band’s quieter, more vulnerable side.
More about No Use In Crying by The Rolling Stones
*By Marcelo Sonaglioni
A Quiet Storm in the Tattoo You Era
Hidden in the shadows of stadium anthems and radio staples, No Use in Cryingoccupies a far more intimate space in the Rolling Stones’ catalog. Emerging from a fertile creative stretch in 1979, the song reflects a band temporarily turning inward, trading swagger for vulnerability. While Tattoo You is often remembered for its bold, polished surface, this track reveals the emotional undercurrent running beneath it. Written during a period of renewed momentum and collaboration, it captures the Stones in reflective mode, unafraid to sit with unresolved feelings. Rather than chasing hooks or bravado, No Use in Crying leans into restraint, allowing mood and emotion to carry the weight. It’s a song that doesn’t announce itself loudly, but lingers quietly—an understated reminder that even a band built on defiance has always understood heartbreak.
The Song’s Place in the Stones’ Late-’70s Revival
By the late 1970s the Rolling Stones were navigating a complex transition. Punk had shaken the music world, disco dominated the charts, and expectations around legacy bands were shifting fast. Yet instead of retreating or imitating trends, the Stones found themselves creatively reenergized. The sessions that produced No Use in Cryingcame during a second wave of recording tied toEmotional Rescue, a time when unused material began to reveal unexpected depth. These recordings weren’t about chasing singles; they were about atmosphere, feel, and emotional truth.
Within this context No Use in Crying stands out not because it demands attention, but because it refuses to. Its quiet intensity feels deliberate, almost defiant in its subtlety. That restraint reflects a band confident enough to let a song breathe, trusting that understatement could speak louder than spectacle. The track’s later role as a B-side only reinforces its status as something personal rather than performative—a song meant to be discovered rather than advertised.
A Story Told From the Wreckage
At the heart of No Use in Cryingis a simple but devastating narrative: love has ended, and denial is no longer an option. The song doesn’t dramatize the breakup itself; instead, it lingers in the aftermath, where emotions echo without resolution. The perspective centers on someone left behind, caught between memory and reality, haunted by what once was and forced to accept what no longer is.
What gives the lyrics their power is their refusal to soften the blow. There’s no promise of reconciliation, no poetic escape hatch. The repeated insistence to stay away cuts sharply, turning emotional distance into a necessary act of survival. This isn’t heartbreak dressed up as romance—it’s heartbreak stripped to its core. The song understands that grief doesn’t always come with fireworks; sometimes it arrives quietly, settling in and refusing to leave.
Blues Roots Beneath the Surface
Although No Use in Cryingisn’t a traditional blues track, its emotional DNA is unmistakable. The Stones have always drawn heavily from the blues, not just musically but thematically, and this song channels that lineage with remarkable clarity. Loss, longing, resignation—these are emotions the blues has explored for generations, and here they surface without pretense.
Rather than leaning on overt stylistic cues, the song captures the blues spirit through mood and honesty. Its emotional directness mirrors the work of early blues artists who transformed personal pain into shared experience. That connection helps explain why the track feels timeless, untethered from the era in which it was recorded. It doesn’t chase trends or gestures toward modernity; it simply tells the truth, and that truth resonates across decades.
Absence, Mystery and Lasting Impact
One of the most intriguing aspects of No Use in Cryingis what never happened: it was never played live. In a band renowned for its ever-evolving setlists, this absence feels significant. Perhaps the song was too introspective, too fragile, or simply too personal to translate to the stage. Whatever the reason, its exclusion from concerts has only deepened its allure.
For fans willing to dig beyond the obvious highlights, No Use in Crying offers a different kind of reward. It reveals a side of the Rolling Stones that values emotional precision over volume, introspection over showmanship. The song doesn’t seek validation through repetition or exposure; it exists quietly, waiting for listeners ready to meet it on its own terms. In that silence lies its strength—a reminder that some of the most powerful moments in the Stones’ history are the ones they barely spoke above a whisper.
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