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Rolling Stones Songs: Off the Hook
Don’t wanna see her, afraid of what I’d find/ Tired of letting her upset me all the time…
Written by: Jagger/Richard
Recorded: Regent Sounds and IBC Studios, London, England, June 24-16 and Sept. 2 1964
*Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012
*Click for MORE ROLLING STONES SONGS 1962-PRESENT
More about Off the Hook by The Rolling Stones
*By Marcelo Sonaglioni

Hooked on the Blues: The Rolling Stones’ Little Walter Connection
When The Rolling Stones began writing their own material, the shadows of Chicago blues giants loomed large. Their love for the genre shaped not only their sound but even their song structures. One vivid example is Off the Hook, a track soaked in bluesy grit and sly humor.
At first glance Off the Hook might seem like a clever original. But a deeper listen reveals it’s heavily inspired—nearly borrowed—from Little Walter’s 1953 instrumental Off the Wall, recorded for Checker Records, a Chess imprint. The Stones essentially added lyrics and gave it a twist. Where Little Walter let the harmonica do the talking, Jagger filled the space with a cheeky tale of romantic frustration. His girl’s phone is always busy, and he’s left hanging—off the hook, literally and emotionally. It’s a fun reimagining of a blues classic, proving the Stones weren’t just students of the blues—they were creative interpreters too.
Off the Hook: The Stones, the Blues, and a Tangle of Influence
The Rolling Stones’ Off the Hook may sound like a straightforward early original, but beneath its jangly charm lies a web of influence, confusion, and legal tension. Although officially composed during sessions in June 1964, some sources suggest the final version was actually recorded later that year, on September 2, at Regent Sound Studios. The track eventually landed as the B-side to their November 13 single, the great Little Red Rooster.
Musically, once again, it borrows heavily from Little Walter’s Off the Wall, an instrumental rooted in Chicago blues. Ironically, when Little Walter’s version was published, Big Walter Horton—who had recorded a song with the same name for Sun Records—claimed to be the original writer. That blues lineage added fuel to the fire when Chess Records, Little Walter’s label, nearly sued the Stones for plagiarism. In the end, a deal was struck.
While Off the Hook may lack Chuck Berry’s lyrical sharpness, it channels his spirit. The tale of teenage miscommunication hums with youthful frustration and sincere admiration for their blues heroes.
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