During the Voodoo Lounge sessions in 1993, the Rolling Stones recorded an unreleased version of Cole Porter’s ‘I Get a Kick Out of You’ featuring Keith Richards on lead vocals. This rendition blends rock elements with classic songwriting, showcasing the band’s versatility and willingness to reinterpret iconic American standards with a raw, emotional delivery.
The Rolling Stones’ unreleased early take of ‘One Hit (To the Body)’, recorded on April 15, 1985, during the Dirty Work sessions in Paris, showcases a raw and unpolished version of the song. This take reveals the dynamic between Jagger and Richards, reflecting the band’s creative tensions and energetic explorations.
The early vocal mix of ‘Brown Sugar’, recorded by The Rolling Stones on December 3, 1969, at Muscle Shoals Sound Studios, captures a raw and spontaneous version of the iconic hit. This unreleased track reflects the band’s creative energy and Southern influences, showcasing Mick Jagger’s primal vocals and a gritty instrumentation.
During the late 1993 Voodoo Lounge sessions, The Rolling Stones recorded an unreleased version of Bob Dylan’s ‘Girl from the North Country’, featuring Keith Richards on vocals. This poignant, stripped-down interpretation adds a personal layer to Dylan’s classic, highlighting both artists’ legacies in a unique musical collaboration.
‘Bump and Ride’, a six-minute unreleased track from the 1993 Voodoo Lounge sessions, showcases the Rolling Stones’ experimental side. Featuring improvised vocals by Mick Jagger and an ambient organ by Chuck Leavell, it blends jazz-funk with the band’s signature style, driven by a dynamic trio of bassists. Though not released officially, it gained popularity through bootlegs.
In April 1974, the Rolling Stones recorded an alternate take of ‘If You Can’t Rock Me’ at Stargroves. This unreleased version, featuring guest musicians Billy Preston and Ray Cooper, showcases a raw and dynamic sound that reveals the band’s creative process. It highlights their evolution and playful energy, providing a fresh perspective on a classic track.
This alternate take of ‘Feel On Baby’, recorded in early 1983 with Keith Richards on vocals, showcases a more intimate and raw rendition compared to the final album version. This unreleased track from the Art Collins tapes highlights the Rolling Stones’ creative experimentation, blending funk influences with echoing guitar licks and hypnotic rhythms.
‘Soul Blues’ is an unreleased instrumental track by the Rolling Stones, recorded in July 1967 during the Satanic Majesties sessions. Featuring only Bill Wyman on bass and Charlie Watts on percussion, it emphasizes groove and rhythm. Three variations exist, illustrating the band’s experimental exploration amidst a psychedelic backdrop.
In 1977, the Rolling Stones began recording ‘Start Me Up’ as a reggae track titled ‘Never Stop’, which was shelved. Years later, they revisited the song, creating the iconic rock anthem. Its transformation through experimentation and live energy led to its success, making it a classic in their repertoire and a staple in concerts.
‘Crushed Pearl’, an unreleased Rolling Stones track from the 1985 Dirty Work sessions, showcases Keith Richards’ gritty vocals alongside a funky arrangement featuring sharp lead guitar and strong bass. This moody piece exemplifies the band’s experimental spirit during mid-80s recording.
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