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Long before the Rolling Stones were filling stadiums and rewriting rock history, it all started with a scrappy group of young blues obsessives calling themselves Little Boy Blue and the Blue Boys. Around early 1962 (or late 1961) in some unremarkable room that’s now lost to history, Mick Jagger, Keith Richard (s), Dick Taylor, Alan Etherington and Bob Beckwith tried their hands at Don Robey’s Don’t Want No Woman. The tape, raw and unpolished, feels less like a finished track and more like a snapshot of the band’s restless beginnings.
What makes this recording special isn’t perfection—it’s the energy. You can hear the group fumbling their way toward something bigger, blending American blues tradition with their own British grit. It’s in those rough edges that the Rolling Stones’ identity was starting to form, long before the world even knew their name.
From Little Boy Blue to Rock Legends
The story of Don’t Want No Woman(and a few other songs they recorded in those days) is really the story of the Stones before they were the Stones. Calling themselves Little Boy Blue and the Blue Boys, the future rock giants were just kids chasing the sounds of their blues heroes. The fact that this track remained unreleased for decades only adds to its charm—it’s like opening a time capsule sealed before the band’s rise.
There’s something fascinating about hearing Mick Jagger’s voice still searching for confidence, and Keith Richards experimenting with riffs. This wasn’t yet the polished, dangerous band that would shake the 1960s—it was a garage-level jam session, messy but alive.
To this day Don’t Want No Woman remains unreleased, but it’s proof that even legends start small, with a handful of friends, a love of the blues, and a dream bigger than the room they were playing in.
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