More Rolling Stones Unreleased: ‘I Can’t See No One Else’ (1985)

By Marcelo Sonaglioni on May 30, 2025

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Rolling Stones unreleased: I Can’t See No One Else

Written by: Jagger/Richards
Recorded: Pathé-Marconi Studios, Boulogne-Billancourt, France, Apr-June 1985 (Dirty Work sessions)
Guest musicians: Chuck Leavell (keyboards)

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**A Hidden Jewel from the Dirty Work Era**

Buried deep in the vaults of The Rolling Stones’ prolific 1985 recording sessions lies I Can’t See No One Else, a raw, unreleased track that captures a rare moment of vulnerability and grit. Recorded between April and June 1985 at Pathé-Marconi Studios in Boulogne-Billancourt, France, the song emerged during the emotionally charged Dirty Work sessions—a period marked by creative tension and personal turmoil. What makes this forgotten tune stand out is its stripped-down honesty, driven by a classic Jagger/Richards songwriting blend and elevated by Keith Richards’ soulful backing vocals, which lend the track an aching authenticity. Chuck Leavell’s understated yet evocative keyboard work brings further texture, enriching the arrangement without overpowering it. Though I Can’t See No One Else never made the final album cut, its raw emotional core and musical chemistry reflect the band’s uncanny ability to find beauty even in their most fractured moments.

Keith’s Harmonies and Leavell’s Touch

Keith Richards’ backing vocals on the track are particularly noteworthy, adding depth and heart to Mick Jagger’s lead. His harmonies strike a bittersweet tone that underscores the song’s themes of loneliness and longing. It’s the kind of performance that reminds listeners why the Glimmer Twins’ dynamic continues to resonate decades on.

Chuck Leavell’s guest appearance on keyboards adds yet another layer to the track’s emotional landscape. Known for his tasteful and emotive playing, Leavell crafts a gentle foundation that allows the vocals and guitar work to shine. While I Can’t See No One Else may be a footnote in the Stones’ vast catalog, it’s a compelling glimpse into a tumultuous yet creatively fertile era for the band—a song deserving of its own spotlight.

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