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Keith Richards x Black Uhuru: 1979 Collaboration
January 1979: Keith records a few tracks with reggae group Black Uhuruat Channel One Studios, Kingston, Jamaica, all produced by Sly Dunbar and Robbie Shakespeare. Among Beast, Dirty Harry and Oh What A Joy, Shine Eye Gal was the only one officially released, which showed up in the band’s Showcase album, released in the same year (plus 7″ and 12″ versions) and then in the Black Uhuru (1980) and Guess Who’s Coming to Dinner albums, the latter released un 1983.
*By Marcelo Sonaglioni Keith Richards’ connection with the reggae group Black Uhuru is an intriguing chapter in his musical journey. In the early 1980s, Richards, known for his rock-and-roll persona with The Rolling Stones, explored reggae influences, which led him to work with the Jamaican band. His interest in reggae music, a genre that had captivated him for years, brought him into the studio with Black Uhuru during the recording of their album Red in 1981. Richards played guitar on the track Shine Eye Gal, which helped bridge the worlds of rock and reggae, creating a unique fusion of sounds. (Ref. Rolling Stones reggae collab)
Keith Richards’ Reggae Journey with Black Uhuru
Richards had long admired reggae legends like Bob Marley, and his collaboration with Black Uhuru allowed him to contribute to a genre that he respected deeply. His guitar work on the track was distinctive, adding a touch of his rock roots to the reggae beat. The collaboration also reflected Richards’ willingness to explore new musical landscapes beyond his established sound with The Rolling Stones. (Ref. Rolling Stones reggae collab) This connection with Black Uhuru wasn’t just a one-time affair. It demonstrated Keith Richards’ versatility as a musician and his genuine appreciation for different musical traditions. Through this partnership, Richards not only expanded his musical horizons but also contributed to a cross-pollination of rock and reggae, two genres that would continue to influence each other in years to come.
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