Periodista/ traductor freelance - Freelance journalist/ translator
‘Poison Ivy’, as covered by The Rolling Stones, combines catchy rock with a hidden message about an STD, portraying a femme fatale. It’s a classic Leiber and Stoller creation, showcasing the band’s style evolution.
Keith Richards reminisces about Ian Stewart’s boogie-woogie piano skills that captivated him in 1962, noting Stewart’s vital yet understated role as a founding member of the Rolling Stones.
The Rolling Stones never played ‘Till the Next Goodbye’ live. Beneath its gentle acoustic surface lies a secret love story—and an intriguing Carly Simon connection.
When The Rolling Stones tore into Money (That’s What I Want), it wasn’t a cover—it was a statement of hunger, grit, and chaotic early ambition pulling Motown into rock clubs.
In late 1962, the Rolling Stones advertised in Melody Maker for a bassist, leading to Bill Wyman’s addition. The publication played a crucial role in highlighting their search and talent in music.
The Rolling Stones take on ‘Down Home Girl’ shows their raw R&B roots, with gritty vocals and swagger that made the song an underrated early gem.
Chelsea’s 102 Edith Grove served as The Rolling Stones’ creative hub, where Mick, Keith, and Brian crafted their iconic sound through late-night jams and chaos, igniting their legendary musical journey.
If ever a song bled pure tension, it’s Fight. Its snarling lines—“Gonna pulp you to a mass of bruises” or “What I want is power, more power ”—aren’t just rock bravado; they’re a mirror of the storm raging inside the Rolling Stones’ camp.
Mick Jagger emphasizes the addictive nature of live performances and the importance of balance. Pacing oneself enhances the thrill, ensuring that each show remains fresh and engaging for both artists and audiences.
‘Monsoon Ragoon’, an unreleased 1993 Rolling Stones jam, showcases the band’s experimental side and spontaneous energy. Recorded in Ireland, it features rich musical interplay and highlights their creative risk-taking.
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