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Child of the Moon captures the Rolling Stones at a unique crossroads, blending late-’60s psychedelia with hints of their future rock swagger. Recorded in 1967–68 with guest pianist Nicky Hopkins, the track features Mick Jagger’s cryptic, surreal lyrics—starting with a playful, garbled voice that teases listeners before drifting into dreamlike imagery. Released as the B-side to Jumpin’ Jack Flash, it never grabbed mainstream attention but has endured as a hidden gem for devoted fans. Child of the Moon offers a moody, experimental sound that hints at the stylistic shift the Stones would embrace in the ’70s, making it a fascinating listen for collectors and enthusiasts alike.
What makes Child of the Moon fascinating is its unique place in the Rolling Stones’ timeline. It represents one of their earliest collaborations with producer Jimmy Miller, who would soon help steer the band toward the raw, gritty rock of Beggars Banquet and Let It Bleed. Yet on this track, the atmosphere is still shadowy and surreal, a dreamy, almost hypnotic farewell to the band’s acid-tinged era. Its swirling textures and mysterious mood capture a transitional moment, bridging the psychedelic experimentation of the late ’60s with the more grounded rock sound that defined their next phase.
A Hidden Gem Rediscovered
Though never included on the Rolling Stones’ main studio albums, Child of the Moon resurfaced in the early ’70s on compilations like More Hot Rocks (Big Hits & Fazed Cookies) or No Stone Unturned, gradually earning a cult following among devoted listeners. Today, it’s regarded as a psychedelic gem, a mesmerizing bridge between eras in the band’s career. Its shadowy, otherworldly atmosphere captures the lingering spirit of the Stones’ late-’60s experimentation, making it mysterious yet magnetic. For fans, it remains a treasured, slightly hidden snapshot of a transformative period in the band’s evolving sound.
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