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Rolling Stones songs: Out of Time
You’re obsolete, my baby/ My poor old-fashioned baby/ I said baby, baby, baby you’re out of timeโฆ
Written by: Jagger/Richard
Recorded: RCA Studios, Hollywood, USA, March 6-9 1966
Mick Jagger: vocals
Keith Richards: rhythm guitar, acoustic guitar, backing vocals
Brian Jones: marimbas
Bill Wyman: bass
Charlie Watts: drums
Guest musicians: Ian Stewart (organ), Jack Nitzsche (piano)
*Data taken from Martin Elliottโs book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012
*Click for MORE ROLLING STONES SONGS 1962-PRESENT
Out of Time by The Rolling Stones is more than just a โ60s pop trackโitโs a masterclass in heartbreak, wit, and musical sophistication. The song tells a story of love lost and power reclaimed, capturing a moment when a young woman returns to a former lover only to find that her time has passed. With biting lyrics and emotional honesty, itโs a song that hits as hard as it charms.
Musically, the track blends The Stonesโ signature rock sound with Motown-inspired soul, creating a vibrant, irresistible melody that contrasts sharply with its scathing narrative. From Brian Jonesโ marimba on the original recording to Chris Farloweโs chart-topping 1966 cover, Out of Time has proven its versatility and timeless appeal.
Decades later, fans finally experienced the song live during the Stonesโ 2022 Sixty tour in Madrid. Its belated stage debut reminds us that great music transcends time, and Out of Time remains as captivating today as it was over 50 years ago.
More about Out of Time by The Rolling Stones
*By Marcelo Sonaglioni

A Bitter Return: Time Waits for No One
Thereโs a certain poetic cruelty in the passage of time, and Out of Time captures it with unflinching clarity. The song tells the story of a young woman who, after abandoning and betraying her lover, attempts to reclaim what she once discarded. But the moment has already passed, leaving her arrival both belated and futile. Her former partner does not shy away from expressing his emotional reckoning, delivering lines that sting with raw honesty: โYouโre obsolete, my baby / My poor old-fashioned babyโฆโ The words arenโt just sharpโthey are calculated, a methodical extraction of the pain he endured when she walked away. In its essence, the track is about power reversed: the once-disregarded man now wields authority through emotional truth, and his pointed reminders of her obsolescence transform the song into both confession and retaliation, wrapped in a deceptively catchy musical package.
Musical Charm Meets Emotional Edge
Musically Out of Time balances soul and pop with effortless grace. Mick Jagger and Keith Richards channel the upbeat energy of Motown while embedding a story of heartbreak and scorn, creating a contrast between melody and message that is irresistibly compelling. The trackโs lively instrumentationโa rhythmic pulse paired with bright hooksโadds layers to the emotional narrative, making the bitterness and sarcasm all the more poignant. This interplay between a cheerful tune and cutting lyrics is a hallmark of The Stonesโ early brilliance: the music draws listeners in, while the story lingers, leaving an aftertaste of regret and vengeance. Over time, the song has proved its versatility, inspiring a variety of covers and recordings that reinterpret its narrative without losing the originalโs emotional punch.
Studio Versions and Hidden Gems
The original version recorded for the British release of Aftermath in Los Angeles between March 6โ9, 1966, remains a notable example of the bandโs creativity in the studio. Brian Jonesโ marimba lends an unusual texture to the track, creating an auditory signature that sets it apart from other contemporary recordings. This UK version ran 5:19, longer than the US edit that appeared in 1967 on Flowers. The US version was also later included on More Hot Rocks (Big Hits & Fazed Cookies) in 1972 and in the 2012 GRRR! super deluxe edition, part of the 80-track version. Additionally, a unique third recording, featuring Jaggerโs lead vocals alongside Farloweโs orchestration, backing vocals, and a new female backing track, appeared on the 1975 rarities album Metamorphosis, released under former Stones manager Allen Kleinโs ABKCO Records, who controlled the pre-1971 Stones catalog.
Chris Farloweโs Version
Chris Farloweโs take on Out of Time became the most commercially successful interpretation. Produced by Mick Jagger and recorded at Pye Studios in London during sessions in April and May 1966, it featured Arthur Greenslade on piano and arrangements, with Jimmy Page contributing guitar. Released on Andrew Loog Oldhamโs Immediate Records, Farloweโs single peaked at number one on the UK Singles Chart on 28 July 1966, holding that position for one week. This interpretation emphasized the songโs soulful qualities and demonstrated its adaptability beyond The Rolling Stonesโ own performances, cementing its place as a versatile hit of the mid-โ60s. Farloweโs rendition also influenced later Stones releases, including the Metamorphosis version, which combined elements of his backing vocals and orchestration with Jaggerโs own performance.
A Timeless Stage Debut
In a testament to its lasting power Out of Time finally made its live debut more than five decades after its original release. On June 1, 2022, during the opening concert of The Rolling Stonesโ Sixty tour in Madrid, the band performed the track for the first time in front of an eager audience, marking a historic moment for both fans and the band. Introducing a song after 56 years highlights The Stonesโ unique ability to revisit their catalog with fresh energy, reminding the world that even familiar tracks can hold surprises. The performance underscored not only the timelessness of the music but also the enduring connection between artist and audience, proving that great songsโespecially those tinged with heartbreak, irony, and power dynamicsโcan captivate listeners long after their initial recording. In this live moment Out of Time finally claimed its space on stage, completing a journey that had begun in the studio more than half a century earlier.
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