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Rolling Stones songs: Try a Little Harder
Don’t you worry try a little harder/ Say goodnight and stay a little longer…
Mick Jagger: vocals Keith Richards: guitar, backing vocals (unconfirmed) Guest musicians, most of them also unconfirmed : Jimmy Page (guitar), John McLaughlin (guitar), Reg Guest (piano), Joe Moretti (bass), Andy White (drums), Ivy League (backing vocals), Andrew Loog Oldham (backing vocals), Unidentified musicians (horns, percussion)
Try A Little Harder song sits in an interesting limbo, suspended between promise and hesitation. It speaks plainly, yet carries the weight of a band still learning how to translate instinct into conviction. Nothing here is hidden behind metaphor or irony; the emotion is laid bare, almost stubbornly so. That openness is part of its charm, even if it also exposes its limitations.
What makes the track linger isn’t its message but its timing. It belongs to a moment when ambition often outran execution, when enthusiasm filled gaps that craft had not yet learned to bridge. The song’s eventual appearance years later only reinforces that sense of displacement, as if it had missed the window when such directness might have carried more impact.
In that sense Try A Little Harder functions as a sketch rather than a finished portrait. It documents effort, repetition, and persistence, themes that mirror the band’s own trajectory. The advice it offers could just as easily apply to its creators: keep pushing, keep refining, and don’t stop short of what the song—or the band—might become.
More about Try A Little Harder by The Rolling Stones
*By Marcelo Sonaglioni
Early Advice and Emotional Directness
At its core Try a Little Harder is built around instruction rather than confession. The narrator doesn’t question, doubt, or reflect; he urges action. This directness gives the song a tone closer to coaching than longing, as if romance were a problem that could be solved through effort alone. The lyrics assume that devotion is measurable, something that can be increased by sheer will. There’s no ambiguity about motives or feelings, only the insistence that success depends on persistence.
This emotional clarity aligns with the Rolling Stones’ earliest songwriting phase, when Jagger and Richards were still making their first serious attempts to master pop and rock forms. Rather than exploring inner conflict, the song moves straight to resolution, repeating its central idea with unwavering focus. That repetition reinforces the theme but also limits the track’s emotional range. In hindsight, the certainty feels revealing rather than naïve: it reflects a period when conviction often stood in for depth.
A Song That Waited Its Turn
Unlike all the other pre-1967 demo-style Jagger-Richards outtakes later gathered on Metamorphosis, Try a Little Harder was never released in any form before the album’s 1975 debut—neither by the Rolling Stones nor by any other artist. That silence is telling. While not entirely without merit, the song was evidently considered too weak to stand on its own during the mid-1960s, and apparently not strong enough even to be handed off to another act, despite the fact that some even slighter early compositions did find their way onto record that way.
Its eventual release reframes its purpose. Rather than functioning as a lost gem, it serves as documentation, a relic of trial and error. Its first appearance as the B-side to I Don’t Know Whyunderscores this role, and explains its later, somewhat unlikely inclusion on Singles Collection: The London Years. By the time listeners finally heard it, the song existed less as a statement than as context.
Sound, Influence and Studio Ambition
Musically Try a Little Harder sits in a more straightforward rocking mold than many of the other early songs on Metamorphosis, though that distinction is relative given the generally slight nature of the material. The track is built around a basic, low, twangy soul-rock guitar riff paired with a simple backup harmony chant. There’s a faint but noticeable nod to the upbeat pop-soul of mid-’60s Motown, suggesting a band absorbing contemporary sounds while still searching for its own voice.
Part of that exploratory quality likely comes from the session itself. The recording is widely believed to feature a rotating cast of largely unconfirmed guest musicians, turning it into something closer to an Andrew Loog Oldham studio experiment than a conventional Rolling Stones performance. Names often mentioned—though never definitively documented—include Jimmy Page and John McLaughlin on guitars, Reg Guest on piano, Joe Moretti on bass, Andy White on drums, with backing vocals from Ivy League members and Oldham himself, plus unidentified horn and percussion players. The uncertainty around the lineup only reinforces the sense of a producer-led attempt to build a sound in the studio rather than capture a band in full control.
The production amplifies those ambitions. Like most of the mid-’60s material on Metamorphosis—with the notable exception of the Chuck Berry cover Don’t Lie to Me—the track is heavily derivative of Phil Spector’s approach. A sturdy clap-along beat, rattling high percussion, honking saxophones, and generous echo all work to give the song weight and drive. Yet that density can’t disguise the core issue: the arrangement circles the same idea without developing it, leaving the experiment interesting in texture but limited in payoff.
Learning Curves and Later Refinements
The song’s central weakness is not unique among early Jagger-Richard compositions. Despite its energy, Try a Little Harder doesn’t really go anywhere. Verse follows verse with the same urging refrain, reinforcing effort without escalation or transformation. The result is momentum without progression, a common problem during this stage of their songwriting development.
It’s possible the Stones revisited the same lyrical impulse the following year with One More Try, applying it to a far more familiar R&B-rock framework. That later song delivers its advice with a more assertive, chin-up tone, and within a style the band clearly felt more comfortable inhabiting—even if the result remains somewhat pedestrian. Taken together, the two tracks chart a learning curve. Try a Little Harder captures the band still circling an idea, while later work shows them beginning to push through it.
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