During the late 1993 Voodoo Lounge sessions, The Rolling Stones recorded an unreleased version of Bob Dylan’s ‘Girl from the North Country’, featuring Keith Richards on vocals. This poignant, stripped-down interpretation adds a personal layer to Dylan’s classic, highlighting both artists’ legacies in a unique musical collaboration.
‘Bump and Ride’, a six-minute unreleased track from the 1993 Voodoo Lounge sessions, showcases the Rolling Stones’ experimental side. Featuring improvised vocals by Mick Jagger and an ambient organ by Chuck Leavell, it blends jazz-funk with the band’s signature style, driven by a dynamic trio of bassists. Though not released officially, it gained popularity through bootlegs.
‘I Can’t See No One Else’ is an unreleased track by The Rolling Stones, recorded during the emotionally charged Dirty Work sessions in 1985. With Jagger’s lead vocals, Richards’ poignant harmonies, and Leavell’s evocative keyboard, the song embodies raw vulnerability and creative tension, representing a hidden gem in the band’s legacy.
This alternate take of ‘Feel On Baby’, recorded in early 1983 with Keith Richards on vocals, showcases a more intimate and raw rendition compared to the final album version. This unreleased track from the Art Collins tapes highlights the Rolling Stones’ creative experimentation, blending funk influences with echoing guitar licks and hypnotic rhythms.
‘Soul Blues’ is an unreleased instrumental track by the Rolling Stones, recorded in July 1967 during the Satanic Majesties sessions. Featuring only Bill Wyman on bass and Charlie Watts on percussion, it emphasizes groove and rhythm. Three variations exist, illustrating the band’s experimental exploration amidst a psychedelic backdrop.
The Rolling Stones’ unreleased acoustic version of ‘All Down the Line’ was recorded between June and July 1969, showcasing an instrumental setup with Mick Jagger’s incomplete vocals. This early demo, reflecting the band’s raw charm, predates its re-recording for the 1971 album Exile On Main St. and reveals their versatility.
The Rolling Stones’ unreleased instrumental track ‘Aftermath’, recorded in December 1965, showcases the band’s blues influences and energy. Nearly included in the compilation album “Necrophilia,” it remains a fascinating glimpse into the band’s creative experimentation during a pivotal period.
The alternate take of ‘Fool to Cry’, recorded in December 1974, showcases a raw and vulnerable version of the song. This intimate rendition highlights the Rolling Stones’ introspection during a transitional period, featuring Nicky Hopkins’ poignant piano contributions and Mick Jagger’s unrefined vocals.
This early version of ‘Honky Tonk Women’, recorded in 1969, showcases The Rolling Stones’ creative process with different lyrics and energy. This unreleased track features guest musicians, highlighting a pivotal transformation in the band’s sound and lyrical style.
Rolling Stones unreleased: High Temperature Written by: Jacobs/CohenRecorded: EMI-Pathé Marconi Studios, Boulogne-Billancourt, France, Apr-June 1985 (Dirty Work sessions)Guest musicians: Chuck Leavell (piano) From Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012:Little […]
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