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Rolling Stones unreleased: Eliza Upchink

Eliza Upchink offers a rare glimpse of The Rolling Stones with the guard down and the tape rolling. Cut during the Undercover sessions in 1982, the track feels less like a finished product and more like a snapshot of creative freedom in motion. It’s loose, raw, and cheerfully unpolished, driven by playful riffs and a sense of musicians enjoying the moment rather than chasing perfection. You can almost picture Jagger and Richards trading ideas, laughing, and pushing sounds just to see where they land. Stripped of ambition but rich in energy, the song captures the Stones off-script—confident enough to experiment, relaxed enough to let the fun lead the way.

Also known as: Eliza ; Back On the Streets Again
Written by: Jagger/Richards
Recorded: EMI Pathé Marconi Studios, Boulogne-Billancourt, France, Nov. 11-Dec. 19 1982 (Undercover sessions)
*Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012

*Click for MORE STONES UNRELEASED TRACKS

Another hidden gem of 1982

Eliza Upchink, sometimes just called Back On the Streets Again, or simply Eliza, is one of the Rolling Stones’ intriguing unreleased tracks from the Undercover sessions. Written by the iconic Jagger/Richards duo, the song was recorded between November 11 and December 19, 1982, at EMI Pathé Marconi Studios in Boulogne-Billancourt, France. Though it never made it onto the official album, the track captures the Stones in a raw, experimental mood, blending their rock signature with playful undertones that feel both familiar and slightly off-kilter. You can almost picture the band in the studio, laughing between takes, testing riffs, and chasing ideas that would never see the light of day in conventional releases.

Eliza Upchink feels like a secret snapshot of a band in motion—creative, restless, and willing to flirt with directions that might have seemed too risky for mainstream release. Fans hunting for rare Stones moments will find this track a fascinating peek behind the curtain of 1982.

Recording and musical flavor

The sessions at Boulogne-Billancourt were part of the Undercover period, a time when the Stones were experimenting with studio textures and new songwriting approaches. While details on the full arrangement of Eliza Upchink remain scarce, its energy reflects the band’s willingness to push boundaries even late into their career. Jagger and Richards’ signature songwriting shines through, balancing rock grit with melodic hooks. Though it remained unreleased, the track exemplifies the Stones’ endless creativity, hinting at the playful, edgy side of the band that rarely surfaced outside their studio walls. It’s a hidden chapter of the Stones’ story, a reminder that even legends have secret treasures waiting to be discovered.

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