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Rolling Stones unreleased:Crushed Pearl
Written by: Jagger/Richards Recorded: EMI Pathé Marconi Studios, Boulogne-Billancourt, France, Jan.15-March 3/Apr.8-June 17 1985 (Dirty Work sessions) Guest musicians: Chuck Leavell (piano)
From Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012: A slow number with Keith Richards on vocals. The lead guitar is again sharped supported by a funky guitar with a pronounced bass guitar support.
Hidden in the vaults of the Dirty Work sessions, Crushed Pearl is one of those Rolling Stones tracks that never made it to the official tracklist—but definitely should have. Recorded at the EMI Pathé Marconi Studios in France during two separate stretches in 1985, the song offers a moody and slow-burning atmosphere, fronted by none other than Keith Richards. His raw, unfiltered vocals lend an authentic grit, while the musical arrangement pulls you deep into its murky, funk-infused depths. The lead guitar cuts sharply through the haze, accentuated by a swaggering funk rhythm and a thick, pronounced bassline that locks the whole piece together. Chuck Leavell’s piano work adds just the right touch of understated soul, giving the track a bluesy, back-alley elegance. While never officially released, Crushed Pearl lives on as a compelling snapshot of the Stones experimenting with groove, tension, and space in the mid-80s.
Keith’s Voice, the Band’s Swagger
With Jagger stepping back, Richards takes the vocal reins with characteristic nonchalance. His gravelly tone suits the song’s unpolished texture perfectly, offering a vocal performance that feels more like a confession than a show. The chemistry between guitars—a razor-sharp lead slicing through funky rhythm work—recalls the Stones’ knack for mixing rock muscle with rhythmic finesse. Bill Wyman’s bass lines are especially forceful here, giving the track its pulse and weight.
A Funky Outtake with Staying Power
Though Crushed Pearl never made it onto Dirty Work, its hypnotic groove and understated power make it a fascinating deep cut. It’s a reminder of how the Stones could shift gears and still remain unmistakably themselves—even when their songs stayed shelved.
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