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Rolling Stones unreleased: London Jam
Also known as: Lady
Written by: Jagger/Richard
Recorded: Olympic Sound Studios, London, England, June 4-10 1968 (Beggars Banquet sessions)
Guest musicians: Nicky Hopkins (piano)
From Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012:
A blues number recorded during the Sympathy for the Devil session.
*Click for MORE STONES UNRELEASED TRACKS
More about London Jam by The Rolling Stones
*By Marcelo Sonaglioni

London Jam: A Hidden Track
In June 1968 the Rolling Stones gathered at Olympic Sound Studios in London for what would become one of the most pivotal stretches in their career. Amid the chaos and creativity of the Beggars Banquet sessions, the band explored a raw, blues-infused sound that marked a sharp turn from the psychedelic textures of their previous albums. London Jam, also known as Lady, emerged as an unreleased outtake from this period, showcasing the Stones’ restless experimentation. Mick Jagger’s vocals soar with intensity over Keith Richards’ gritty guitar riffs, while guest pianist Nicky Hopkins adds a subtle melodic touch that enhances the track’s smoky, improvisational feel. The sessions captured a band pushing boundaries, blending rock, blues, and hints of country into a sonic stew that was simultaneously rebellious and precise. Though it never reached official release, London Jam provides a glimpse into the Stones’ creative process during a transformative era in music history.
Experimentation and Studio Synergy
The Beggars Banquet sessions were more than just a recording period—they were a laboratory of innovation. Producer Jimmy Miller encouraged the band to embrace unorthodox techniques, capturing spontaneous performances and improvisations that lent the recordings a vibrant, unpredictable energy. Acoustic guitars, layered percussion, and improvisational piano parts helped shape the atmosphere, while the band’s personal tensions often fueled their intensity in the studio. Outtakes like London Jam reveal a willingness to stretch traditional rock frameworks, blending raw blues energy with political and social undertones. These sessions not only produced landmark tracks such as Sympathy for the Devil and Street Fighting Man but also cemented Olympic Studios as the epicenter of the Stones’ late-’60s reinvention. Each jam, riff, and vocal flourish contributed to the sound that would define their legacy, leaving fans and historians alike with a treasure trove of unreleased material that continues to fascinate decades later.
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