rolling stones stuck out all aloneunreleased

Rolling Stones Unreleased from 1968: ‘Stuck Out All Alone’

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Rolling Stones unreleased: Stuck Out All Alone

Also known as: Hamburger to Go ; Give Me A Hamburger to Go
Written by: Jagger/Richard
Recorded: Olympic Sounds Studios, London, England, May 13-18 1968 (Beggars Banquet sessions)

From Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012:
High pitched ooh-ooh vocals introduce this slow ballad. The song doesn’t sound finished hence the ad-libbing, “yeah” and “my my”. Bongo drums percussion can be plainly heard.

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More about Stuck Out All Alone by The Rolling Stones

*By Marcelo Sonaglioni

rolling stones unreleased stuck out all alone 1968

The Hidden Gem of Beggars Banquet

Recorded during the iconic Beggars Banquet sessions in 1968, Stuck Out All Alone is a haunting glimpse into a side of The Rolling Stones few have heard. This unreleased track, with its slow, intimate balladry, captures a raw emotional depth that sets it apart from the band’s more polished hits. Mick Jagger’s vocals are strikingly vulnerable, carrying an almost confessional quality that feels unfiltered and immediate. The track opens with ethereal ooh-ooh harmonies, instantly drawing the listener into a melancholic, hypnotic atmosphere. Minimal instrumentation—dominated by earthy bongo percussion—creates a meditative rhythm, allowing every nuance of the performance to shine. The loose ad-libs and improvisational style suggest a band still sculpting their vision in the studio, making the song feel alive, organic, and startlingly human. For fans of the Stones’ lesser-known work, this track is an invitation into the intimate heart of their creative process, a raw and deeply affecting musical moment that has aged like a hidden treasure

A Transitional Moment Captured

Though it never saw official release, Stuck Out All Alone embodies a pivotal moment in the Stones’ evolution. The Beggars Banquet era marked a return to blues and roots-inspired music following their brief psychedelic experiment with Their Satanic Majesties Request. Alongside tracks like No Expectations and Prodigal Son, this unreleased ballad fits seamlessly within that stripped-back, back-to-basics aesthetic. Its unfinished nature—perhaps the result of spontaneous studio experimentation—gives listeners a rare window into the band’s creative exploration.

The minimal arrangement, the raw vocal energy, and the subtle instrumental textures showcase The Rolling Stones in a reflective, almost meditative state. While the reasons for leaving it off the final album remain unclear, the track’s emotive power and haunting simplicity make it an irresistible discovery. Decades later, it continues to captivate those who delve into the hidden corners of the Stones’ catalog, offering an intimate, atmospheric listening experience that feels both timeless and alive.

Like what you see? Help keep it going! This site runs on the support of readers like you. Your donation helps cover costs and keeps fresh Rolling Stones content coming your way every day. Thank you!

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