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The Rolling Stones in the press: Bill Wyman: “I’m expectin’ everyone to have a go at me”
*From Record Mirror, England, May 11 1974
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Bill Wyman’s Solo Spotlight: Monkey Grip Breaks New Ground
While Mick Jagger and Keith Richards were the dominant creative forces in The Rolling Stones, Bill Wyman made history as the first member to release a solo album. In 1974, the bassist stepped into the spotlight with Monkey Grip, a record that showcased his own musical personality—one that was quite different from the Stones’ usual sound.
Unlike the hard-edged blues-rock of his main band, Monkey Grip leans into a more laid-back, funky groove, blending rock, R&B, and even a bit of reggae. Wyman played bass, sang lead vocals, and wrote all the songs, proving he had more to offer than just holding down the low end. The album also featured some high-profile guest musicians, including Dr. John and Lowell George from Little Feat, adding to its rich, jam-heavy feel.
Monkey Grip Glue: Bill Wyman’s Solo Sound and Bold Move
The lead single, Monkey Grip Glue, is a bluesy, mid-tempo groove that reflects Wyman’s wry sense of humor and unique approach to songwriting. His vocals may not have the raw swagger of Jagger’s, but they carry a cool, understated charm that fits the vibe of the album. Other tracks, like What a Blow and White Lightnin’, continue the loose, casual feel, making Monkey Grip a fun listen rather than a grand artistic statement.
Although Bill Wyman’s solo career never reached the same level of success as The Rolling Stones, Monkey Grip was a significant milestone. “I’m expectin’ everyone to have a go at me”, he admitted to Record Mirror at the time, aware of the scrutiny his solo venture might face. Despite that, the album marked a bold step forward, allowing Wyman to showcase his own musical style. More than just a personal project, it also opened the door for other Stones members to pursue solo work, proving that even the most reserved member of the band had a unique creative voice. Monkey Grip may not have dominated the charts, but it stands as an important moment in Stones history and a testament to Wyman’s individuality.
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