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The Rolling Stones in the press: “Life-lines of The Rolling Stones”
*From the New Musical Express, England, Nov. 27 1964
*Click for more YESTERDAYโS PAPERS

By 1964 The Rolling Stones were well on their way to becoming rock and rollโs biggest troublemakers. Unlike their neatly dressed counterparts, The Beatles, the Stones were marketed as “the bad boys” of the British Invasionโunkempt, rebellious, and probably the kind of guys your parents warned you about. And yet, they were taking over the charts, one snarling riff at a time.
Mick Jagger, the ever-charismatic frontman, was already perfecting his signature moves, shaking his hips like no one else dared. Keith Richards? Well, he was busy fine-tuning the art of looking effortlessly cool while conjuring up some of the most infectious guitar riffs known to man. Brian Jones, the bandโs original visionary, was bringing in exotic instruments and making sure the band didnโt just sound like every other blues outfit in London.
Meanwhile, Bill Wyman and Charlie Watts kept everything from descending into complete chaos. Bill, the quiet yet steady bassist, looked slightly amused (or just mildly irritated) at the madness unfolding around him. Charlie, on the other hand, played the drums with the air of a jazz man who somehow ended up in a rock band full of lunaticsโbut hey, he made it swing like nobody else.
In 1964 the Stones released their self-titled debut album, packed with raw, bluesy covers and a hint of their songwriting potential. They were rough, unpolished, and still figuring it all outโbut that was part of the charm. Screaming fans, riotous gigs, and disapproving headlines followed them everywhere. Were they dangerous? Probably not. Did the establishment think so? Absolutely.
Little did the world know, this was just the beginning. The Rolling Stones werenโt here to play niceโthey were here to take over. And take over, they did. And, by the way, have a look at their “life-lines”, as published in this article at the time.
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