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Rolling Stones Quotes: Keith Richards and Charlie Watts on Darryl Jones instead of Bill Wyman (1997)
KEITH & CHARLIE ON DARRYL: MOVING ON BUT RESPECTING BILL In 1997 Keith Richards opened up about the switch from Bill Wyman to Darryl Jones on bass. He admitted he misses Bill—the “skinny white guy”—but also gave props to Darryl, calling him solid. Keith’s words mix nostalgia and respect, recognizing Bill’s legendary understated style while embracing the new lineup. Even Charlie and Keith know change is part of the gig, but there’s always love for the old gang and their irreplaceable groove.
Keith: “I miss Bill. I turn around and say, Where’s that skinny white guy? Instead there’s a big spade. Hey Darryl! But I’ve always admired Bill’s playing. He could swing it. Very understated. I always enjoyed playing with Bill very much. At the same time, we have another bass player now and he’s good too, you know. I miss Bill’s not being there, but at the same time I’ve got to respect his decision. So now he’s relaxing. He’s got two new kids. Hey, enjoy it, Bill, Good luck, pal.”
Charlie: “We’ve been playing together for quite a long while now. Darryl’s a wonderful bass player, but he’s also a very nice young man. The thing about asking people to work with you is that you have to live with these people on the road. Darryl is a very nice man, and that’s important. He’s also a very good musician. He probably only uses half of his facilities with us.”
When Bill Wyman stepped away from The Rolling Stones, it left more than just a gap in the rhythm section—it left an emotional space, especially for Keith Richards and Charlie Watts. As Charlie put it, playing with someone isn’t just about musicianship—it’s about sharing buses, flights, hotels, and stages. Luckily, Darryl Jones filled those shoes with grace. “He’s a wonderful bass player and a really nice guy,” Charlie said. “That matters when you’re on the road for months.” For the band, chemistry was more than just chords—it was coexistence.
From Swing to Soul: Keith on Bill and Darryl
Keith Richards doesn’t shy away from sentiment when talking about Bill Wyman. “I miss Bill,” he admits. “I turn around and think—where’s that skinny white guy?” He remembers Wyman’s subtle playing style with admiration: “He could swing it, very understated. I always enjoyed playing with Bill.” But Keith also keeps it grounded—acknowledging that Darryl Jones, with his own unique style, is not a replacement but a continuation. “He’s good too,” says Keith. “And Bill? He’s got two kids now. He’s chillin’. Good for him—good luck, pal.”
The Stones might’ve changed players, but not heart. Darryl brings his own rhythm to the mix—soulful, deep, and precise. Keith and Charlie both agree: while Bill is missed, the groove rolls on.
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