rolling stones steel wheels hearts for saleCan You Hear the Music?

Digging Into ‘Hearts For Sale’ by The Rolling Stones (1989)

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Rolling Stones songs: Hearts for Sale

I don’t need a doctor/ I need a deputation/ You don’t want my loving/ You can just take my resignation…

Written by: Jagger/Richards
Recorded: Air Studios, Montserrat, March 29-Apr. 15 1989; Olympic Sound Studios, May 15-June 29 1989
Guest musicians: Matt Clifford (keyboards), Bernard Fowler (backing vocals)
*Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012

*Click for MORE ROLLING STONES SONGS 1962-PRESENT

More about Hearts for Sale by The Rolling Stones

rolling stones songs hearts for sale 1989

Hearts for Sale: A Deep Cut from Steel Wheels

When Steel Wheels hit the shelves in 1989, critics were quick to call it a triumphant return for The Rolling Stones, and one track that backs up that claim is Hearts for Sale. Far from recycling tired riffs, the band crafted a song that feels both classic and experimental. The opening moment alone sets the tone—Mick Jagger’s raw feedback riff bleeding into Latin-inspired guitar strumming, before his harmonica cuts through with fire. Keith Richards’ Fender guitar lines punch through the mix, while Bernard Fowler’s backing vocals add clarity and edge.

Beneath the music, the lyrics strike a more personal nerve. They explore the fine line between being content with life and feeling powerless in love, where the “heart” becomes nothing more than merchandise up for grabs. It’s this tension between swaggering rock energy and emotional vulnerability that makes the track one of Steel Wheels’ most intriguing gems.

A Song with Layers

On the surfaceç Hearts for Sale might register as straightforward blues-rock, echoing the Stones’ early days with its steady beat and sharp groove. But dig a little deeper, and Mick Jagger’s lyrics demand more attention. When he claims to be “the voice of conscience, the voice of reason,” it shifts the song into a reflective space, raising questions about the true meaning behind those “cheap hearts.” Is it social commentary, a jab at fame’s hangers-on, or just a meditation on love’s messy compromises? The ambiguity has fueled debate, especially since the song never made it into the band’s live setlists. That decision alone gives it a mysterious, underappreciated aura—an album cut reserved for those willing to listen closely.

Mick, Keith, and the Art of Silence

Producer Chris Kimsey once noted how Mick’s harmonica phrasing channeled the old blues masters, where the pauses were as vital as the notes themselves. Keith Richards echoed this idea, famously calling silence a musician’s true canvas. That philosophy is all over Steel Wheels, where space and restraint replace overproduction. Mick also stepped up as a guitarist, playing on most of the record—a leap partly thanks to Ron Wood’s informal lessons. Wood even joked that these sessions finally let Mick ditch his “L plates” on the instrument. Unlike the fractured Dirty Work sessions in Paris, the Montserrat setting pushed Mick and Keith into genuine collaboration, giving Steel Wheels a cohesion that had been missing for years.

The Unshakable Foundation

No look at Steel Wheels would be complete without acknowledging Bill Wyman and Charlie Watts. Their rhythm section doesn’t rely on flash but on flow, locking the songs into a groove that feels effortless. It’s simplicity perfected—steady, unshakable, and proof that the Stones’ magic often comes not from complexity, but from a band that knows how to leave the right spaces unfilled.

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