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Rolling Stones songs: I Can’t Quit You Baby
Yes, you know I love you, baby/ You know my love for you I never hide…
Written by: Willie Dixon Recorded: British Grove Studios, London, England, Dec. 11, 14–15 2015 Guest musicians: Chuck Leavell (keyboards), Matt Clifford (keyboards), Eric Clapton (guitar) *Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012
More about ‘I Can’t Quit You Baby’ by The Rolling Stones
*By Marcelo Sonaglioni
The Rolling Stones, Clapton, and a Blues Classic Reborn
The Rolling Stones closed their Blue & Lonesome album with a powerful rendition of I Can’t Quit You Baby recorded on December 14, 2015. As a special touch, blues legend Eric Clapton joined in, adding extra soul to the already raw track. But this song’s story goes far beyond the studio that day.
Back in 1956, Otis Rush laid down the very first version of I Can’t Quit You Baby—his debut recording and a standout blues moment. With a band that included heavy hitters like Big Walter Horton on harmonica and Willie Dixon on bass, the session oozed authenticity. The track soared to number 6 on the Billboard R&B charts in October that year, marking Rush’s only major commercial success. Penned by Willie Dixon and inspired by Rush’s own emotional turmoil, the song drips with real-life pain. Over the years, it’s been reimagined by blues greats like Little Milton, Johnny Shines, and, famously, Led Zeppelin.
Clapton, Wood, and a Masterclass in Blues
When it comes to standout moments on Blue & Lonesome, Ron Wood doesn’t hesitate—this is his favorite track in the album. And it’s easy to see why. He shares the spotlight with none other than Eric Clapton, a true titan of the blues. Interestingly, Clapton doesn’t play his usual Stratocaster here. Instead, he picks up one of Keith Richards’s semi-hollow body guitars, bringing a unique tone to his inspired and expressive soloing. His performance is nothing short of electric, but it’s Ron Wood who matches him note for note, proving his blues credentials are just as solid.
The Stones Groove in Sync
Beneath the solos, the Rolling Stones’ engine room is tight and in full swing. Keith Richards holds down a rhythm that’s part blues, part smoky jazz lounge. Charlie Watts and Darryl Jones lock in as one, laying down a deep groove, while Chuck Leavell’s piano adds touches of color. Mick Jagger’s joy is unmistakable, relishing every moment surrounded by longtime friends and masters of the craft, one of his best vocal performances ever. (Ref. The Rolling Stones Blues)
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