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Rolling Stones songs: Little Rain
A little rain fallin’, little clock keep away the time/ Well the rain keep a-fallin’, on this little love of mine…
Written by: Ewart G. Abner Jr./Jimmy Reed Recorded: British Grove Studios, London, England, Dec. 11, 14–15 2015 Guest musicians: Darryl Jones (bass)/ Matt Clifford (keyboards) *Data taken from Martin Elliott’s book THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962-2012
A Gentle Storm: Little Rain and the Rolling Stones’ Blues Devotion
Before it became part of The Rolling Stones’ Blue & Lonesome tribute to the blues, Little Rain was a quiet gem from Jimmy Reed—a love song that likely echoed the deep bond he shared with his wife, who stood by him through illness and hardship. With soft, vivid lines like “little flowers bloomin’, little birds keep-a singin’ tune”, Reed offered something tender and timeless. Co-written with Ewart G. Abner Jr.—a figure tied to Chicago’s pioneering Vee-Jay Records—the song was recorded in 1957 and released as a single alongside Honey, Where You Going?, peaking at number 7 on the Billboard R&B charts. Reed, one of the few bluesmen to stand toe-to-toe with Chess legends like Muddy Waters and Howlin’ Wolf, left a legacy that deeply shaped the Stones’ sound. Their version of Little Rain is yet another soulful nod to the man who helped define their musical foundation.
A Storm in Slow Motion: The Stones Channel Jimmy Reed
There’s something hauntingly beautiful about the way The Rolling Stones interpret Jimmy Reed’s Little Rain. Keith Richards himself singled it out as the most successful track on Blue & Lonesome, and it’s easy to see why. The song simmers with the soul of the Mississippi Delta, conjured not through force but through subtlety. Guitars from Keith and Ronnie Wood weave gently, their near-identical motifs echoing like whispers through a swampy haze. The tones, slightly saturated, ooze warmth—pure vintage magic. Mick Jagger’s vocals are uncharacteristically subdued, soaked in reverb, carrying melancholy more than bravado. It’s not flashy—it’s felt. The result is spellbinding, a blues mood piece built on restraint and reverence.
Subtle Grooves, Deep Emotion
Charlie Watts and Darryl Jones glide in on the second verse, delicate but essential. Their understated rhythm gives the track its pulse—a soft throb that grounds the emotional weight. Darryl’s bass, absent in Jimmy Reed’s original, adds a new layer: unobtrusive yet full-bodied. Then Mick steps in with a harmonica solo, a nostalgic echo of Reed’s own, possibly first internalized through Brian Jones. Every note, every nuance, is a bow to Jimmy Reed’s legacy—this is no mere cover. It’s a conversation across decades, a heartfelt homage where the Stones don’t try to outshine the original, but honor it with precision and soul. Little Rain isn’t just a highlight—it’s a reminder of what makes the Stones masters of musical interpretation.
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