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The Rolling Stones liveat Hyde Park 1969
July 5, 1969: Cockpit Area, Hyde Park, London, England (free concert) Adonais (Eulogy for Brian Jones, read by Mick)/I’m Yours And I’m Hers/Jumping Jack Flash/Mercy Mercy/Stray Cat Blues/No Expectations/I’m Free/Down Home Girl/Love In Vain/Loving Cup/Honky Tonk Women/Midnight Rambler/Satisfaction/Street Fighting Man/Sympathy For The Devil *Additional musicians on percussion on Sympathy For The Devil: Ginger Johnson’s African Drummers/ Rocky Dijon
Mick at the Hyde Park concert: “Brian will be at the concert. I mean, he’ll be there! But it all depends on what you believe in. If you’re agnostic, he’s just dead, and that’s it. When we get there this afternoon, he’s gonna be there. I don’t believe in Western bereavement. You know, I can’t suddenly drape a long black veil and walk the hills. But it is still very upsetting. I want to make it so that Brian’s send-off from the world is filled with as much happiness as possible.”
It wasn’t the first concert in Hyde Park, but it’s certainly the one etched into rock history. On July 5, 1969, The Rolling Stones played what would become their most iconic live performance. Pink Floyd had headlined a free gig a year earlier, and Blind Faith performed just weeks before. Still, ask anyone “Were you at the Hyde Park concert?” and no clarification is needed—it’s the Stones show they’re referring to.
Amid shimmering heat and a crowd of nearly half a million, Mick Jagger stepped out wearing a flowing, Greek-inspired voile “dress” designed by Michael Fish. The stage was modest at best, built from scaffolding and surrounded by gear, but it didn’t matter. Charlie Watts later called it a “Mickey Mouse little stage”—yet it framed something far greater: a band emerging from loss and ready to redefine itself.
Just two days earlier, founding member Brian Jones had died. The concert, originally meant to debut new guitarist Mick Taylor, became a moving tribute. Jagger asked the audience to quiet down as he read lines by poet Shelley: “Peace, peace! He is not dead, he doth not sleep…” It was a moment of raw vulnerability—one that turned a rock show into something timeless.
The Rolling Stones at Hyde Park ’69:Setlist Surprises and Live Debuts
The Rolling Stones kicked off with an unexpected cover: Johnny Winter’s bluesy I’m Yours and I’m Hers (aka Lemon Squeezer) It was a bold choice, never played before or ever since. Then came another surprise— that’s when Jumpin’ Jack Flash made its live debut, quickly turning into a tour staple that autumn in the U.S. A string of other first-time performances followed: Mercy Mercy, Stray Cat Blues, No Expectationsand I’m Free.
The band reached further back with Down Home Girl, and even tapped into vintage blues with Robert Johnson’s Love in Vain later featured on Let It Bleed. Loving Cup, still a work-in-progress, eventually landed on Exile on Main St. 3 years later. Honky Tonk Women had just been released as a single on the previous day, and Midnight Rambler— at the time called “The Boston Gambler” by the press—added swagger to the set.
Becoming the World’s Greatest Band
It was Sam Cutler, the concert’s stage manager, who spontaneously dubbed them “the greatest rock and roll band in the world.” The phrase stuck and became the Stones’ live introduction for decades. That Hyde Park show marked a clear transition—from blues-based heartthrobs to stadium legends. As one journalist put it, “99% of the audience came to listen, not to scream.” The Stones had arrived—louder, bolder, and utterly unforgettable.
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