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The Rolling Stones live at Glastonbury Festival 2013
June 29, 2013: ‘Glastonbury Festival’, Worthy Farm, Pilton, England Jumpin’ Jack Flash/It’s Only Rock’n Roll/Paint It Black/Gimme Shelter/Factory Girl (with new lyrics “Glastonbury Girl”, just for the show)/Wild Horses/Doom And Gloom/Cant’ You Hear Me Knocking/Honky Tonk Women/You Got The Silver/Happy/Miss You/Midnight Rambler/2,000 Light Years From Home/ Sympathy For The Devil/Start Me Up/Tumbling Dice/Brown Sugar/You Can’t Always Get What You Want/Satisfaction *With special guests The Voce Choir and members of the London Youth Choir on You Can’t Always Get What You Want
Mick Jagger, onstage when singing ‘Factory Girl’: “Gave her all my wet wipes, washed off all her dirt Lit her up a cigarette, I gave her my clean shirt Offered her my luxury yurt Waiting for a Glastonbury girl”
Fire, Flares, and a Real Band: The Rolling Stones at Glastonbury 2013
As Sympathy for the Devil echoes into the night, the scrap-metal phoenix atop the Pyramid Stage rises and spits fire, red smoke swirling through the crowd. Flares light up the sea of fans—100,000 strong—marking one of those elusive, magical Glastonbury moments. It’s chaos, celebration, and pure rock theatre, all lit by the glow of the Rolling Stones’ legacy. For a band often mythologized, they feel thrillingly human here. Their sound is raw and imperfect—flubbed notes and all—but that looseness only amplifies the emotional weight behind tracks like Wild Horses.
They don’t just dip into their catalog—they surprise with it. A stunning rendition of 2,000 Light Years From Home breathes new life into a song from Their Satanic Majesties Request, an album often dismissed. Former guitarist Mick Taylor joins them for lengthy versions of You Got the Silverand Midnight Rambler, which may not hold everyone’s attention, but clearly spark joy onstage.
Mick’s Charm Offensive and the Glasto Makeover
It’s clear this isn’t just another gig on the Stones’ 50th Anniversary Tour. From the moment their slot was announced, Mick Jagger leaned hard into Glasto culture—even tweeting (somewhat dubiously) that he’d camp in a yurt. On stage, he riffs on the years-long effort to book them: “So, they finally asked us.” He even reworks Factory Girl into “Glastonbury Girl,” dropping lyrics about wet wipes, nitrous oxide, and camping on ecstasy.
And yes, he claims he wandered into Shangri-La and caught Arctic Monkeys the night before—sounding, of course, uncannily like someone doing a perfect Jagger impression. But his effort to connect is genuine, and the crowd—many in Stones shirts—lives for every second. This wasn’t just a headlining set. It was a rock ‘n’ roll conquest.
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