¿Por qué los Rolling Stones dejaron de lado a Jagger-Richards? Prodigal Son es un inesperado homenaje que cambió el espíritu de Beggars Banquet.
‘Prodigal Son’ por los Rolling Stones: La joya gospel-blues de Beggars Banquet (1968)
The Rolling Stones’ ‘I Think I’m Going Mad’: From 1979 Sessions to 1984 B-Side
Recorded in 1979, revisited twice, then hidden on a 1984 B-side, ‘I Think I’m Going Mad’ is one Rolling Stones song that deserved a better fate.
Rolling Stones Chronology: September 10
September 10 brings early Stones gigs, Ronnie Wood with Eric Clapton, a BBC ban on Star Star, and major tour stops from Berlin to Chicago.
Keith Richards on Chuck Berry’s Lasting Influence
Keith Richards never claimed to invent rock guitar. See why he credited Chuck Berry with shaping the sound that fueled the Rolling Stones.
Rolling Stones: Un Paseo Elegante y Glamoroso en ‘Black Limousine’ (1981)
Un riff, mucho blues y ninguna concesión. Descubre por qué ‘Black Limousine’ sigue siendo una de las joyas menos comentadas de Tattoo You.
The Rolling Stones’ ‘You Can’t Catch Me’: Reimagining Chuck Berry in 1964
Keith Richards calls it his favorite, yet others label it an uninspired miss. Why did The Rolling Stones struggle to catch the magic of this Chuck Berry-fueled high-speed chase?
The Rolling Stones in Hamburg 2017: The No Filter Tour Begins
The Rolling Stones launch the No Filter Tour in Hamburg amid packed streets, heavy security and 82,000 fans. Thirty photos capture the chaos before and onstage.
The Rolling Stones Rock Aarhus in 1970: Two Shows, One Night
Two Rolling Stones shows in Aarhus on the same night? In 1970, Vejlby-Risskov Hallen gets a remarkably close look at the band before stadiums take over.
Rolling Stones Chronology: September 9
September 9 takes the Rolling Stones from a London jazz club to Wembley, Denmark, Dublin and beyond—with Ronnie’s brother, lost albums and plenty of Stones connections along the way.
Marianne Faithfull on Her Influence and Mick Jagger (1988)
In 1988, Marianne Faithfull pushed back against the Stones mythology, insisting her influence came from being herself—not from Mick Jagger, gossip or supposed songwriting connections.
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