On October 19 various significant Rolling Stones performances took place across multiple years at multiple venues worldwide.
Rolling Stones chronology: October 19
The Rolling Stones Talk Life After Bill Wyman (1997)
In 1997, Keith Richards and Charlie Watts reflect on replacing Bill Wyman with Darryl Jones in The Rolling Stones, blending nostalgia for Bill’s style with appreciation for Darryl’s talent and camaraderie.
Rolling Stones: “Stones Crash-Bash In”
The Rolling Stones demonstrated their enduring vitality in 1974 with new hits, contrasting their legacy against the rising Bay City Rollers.
The Rolling Stones React to Their Debut Album (1964)
In a pivotal week, the Rolling Stones’ debut album surged to the top, surpassing the Beatles. Each member shared their satisfaction with the album reflecting their desired sound and musical range.
Rolling Stones Unreleased: ‘Windmill’
‘Windmill’, a lost Rolling Stones jam from 1973, showcases their creative process during the Goats Head Soup recording sessions.
‘Walkin’ Thru the Sleepy City’, Rolling Stones Style (1964)
The Rolling Stones’ ‘(Walkin’ Thru The) Sleepy City’ marked a pop departure in 1964, showcasing experimentation with lighter sounds, despite failing to achieve lasting impact or excitement in their catalog.
Rolling Stones chronology: October 18
On October 18 notable events in Rolling Stones history include album releases, concerts across various locations, and the premiere of the documentary Crossfire Hurricane in 2012.
Keith Richards on John Lennon (1978): “Hollywood is the End”
Keith Richards and John Lennon shared a complex relationship of rivalry and respect, marked by playful antics and mutual admiration, embodying the rebellious spirit of 1960s rock ’n’ roll.
Rolling Stones: “What kind of a ‘Rescue’ is this?” (1980)
The review critiques the Rolling Stones’ “Emotional Rescue,” noting its unoriginality and burned-out themes reminiscent of past work.
Rolling Stones Unreleased: ‘Emotional Rescue’ (Long Version)
During the Emotional Rescue sessions, Jagger led creatively, with Richards focusing on sobriety, resulting in unique musical experimentation.
