rolling stones shame shame shame 1977Can You Hear the Music?

The Rolling Stones and ‘Shame, Shame, Shame’: A Bluesy 1977 Studio Gem

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Rolling Stones songs: Shame, Shame, Shame

*Click forย MORE ROLLING STONES SONGS 1962-PRESENT

Well, now you walk out in the evenin’/ Don’t even say you goin’/ Six o’clock in the mornin’/ You come walkin’ home…

Written by: Jimmy Reed
Recorded: Pathรฉ Marconi Studios, Boulogne-Billancourt, France, Oct. 10-Nov. 25 and Dec. 9-16, plus overdubs at RAK Studios, London, Spring 2021

Mick Jagger: vocals, harmonica
Keith Richards: guitar
Ronnie Wood: guitar
Bill Wyman: bass
Charlie Watts: drums
Guest musicians: Ian Stewart (piano)

More about the Rolling Stones’ take on Jimmy Reed’s Shame, Shame, Shame

*By Marcelo Sonaglioni

rolling stones songs shame shame shame 1977

Jimmy Reedโ€™s Enduring Influence Meets The Rolling Stones Again

Few blues musicians have cast a longer shadow than Mathis James Reed. Born on September 6, 1925, the American singer, guitarist, and songwriter helped shape the sound of modern electric blues through a style that was both simple and remarkably effective. His recordings crossed musical boundaries and attracted audiences far beyond the blues world. Hits including Baby What You Want Me to Do (1960), Big Boss Man (1961), Honest I Do (1957) and Bright Lights, Big City (1961), last two ones actually recoded by the Stones. Reed’s influence extended to artists such as Elvis Presley, Hank Williams Jr., Bob Dylan, Neil Young, and of course the Stones, who repeatedly turned to his catalog for inspiration. Music critic Cub Koda famously described him as โ€œperhaps the most influential bluesmen of allโ€, a testament to the accessibility and lasting appeal of his music.

A blues favorite returns

More than four decades after Jimmy Reed’s death on August 29, 1976, The Rolling Stones once again paid tribute to one of their greatest musical heroes. For the expanded deluxe edition of Tattoo You, the band unearthed and completed their recording of Reedโ€™s classic Shame, Shame, Shame (up to that onlyavailable in bootlegs) a song that highlights the deep blues roots that have always fueled the groupโ€™s sound. The track combines performances originally recorded during the late 1970s with additional work completed in 2021, allowing a forgotten studio gem to finally reach listeners.

From Paris to London

Shame, Shame, Shame was recorded at Pathรฉ Marconi Studios in Boulogne-Billancourt, France, between October 10 and November 25, 1977, with further sessions held from December 9 to December 16. Decades later, overdubs were added at RAK Studios in London during the spring of 2021. The finished recording features the full band, plus Ian Stewart on piano. Together they capture the relaxed groove and understated power that made Jimmy Reed’s recordings so distinctive.

A treasure trove of Some Girls outtakes

The sessions that produced Shame, Shame, Shame were among the most productive of The Rolling Stonesโ€™ career. While working on what would become Some Girls, the band recorded dozens of songs, alternate takes, instrumentals, and unfinished ideas.

Among the notable recordings from those sessions were early versions of Miss You, Beast Of Burden, Shattered, Respectable, Far Away Eyes, Hang Fire and even Start Me Up. Other fascinating tracks included Claudine, No Spare Parts, So Young, Never Let Her Go, Everything Is Turning To Gold and many more. The sheer volume of material demonstrated how creatively energized the group was during this period.

The blues connection lives on

The release of Shame, Shame, Shame offers more than another archival recording. It provides a direct link between The Rolling Stones and one of the artists who helped define their musical identity. While the band explored punk, disco, country, and rock throughout the Some Girls era, the blues remained at the heart of everything they did.

By revisiting a Jimmy Reed classic, The Rolling Stones reaffirmed the importance of a musician whose influence continues to echo through generations of performers. The track stands as both a celebration of Reedโ€™s legacy and a reminder of the blues foundation upon which the band’s remarkable career was built.

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